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Wonder Woman was born of a threesome, the polyamorous love of one man and two women and their belief that this comic book hero could heal the world.
That's the sensationalistic summary of "Professor Marston and the Wonder Women," a film launched Friday, exploring the lurid genesis of the Wonder Woman character.
But focusing on that detail is selling the film, and the story too short. Because there are two major things happening with this movie, each provocative and enticing.

The first is that creative birth of a comic book superhero who has become a box office man from the gods, thanks to this year's hit summer blockbuster "Wonder Woman." After seven decades, the iconic heroine is finally getting her time in the spotlight as the most powerful woman on the planet. With "Marston," we finally get to the surprising but sensible manifestation of her from the mind of a brilliant but bizarre man - William Moulton Marston.

The second thing is all about what information about the creation of Wonder Woman and the movie, the march of honest love and hushed truth against the dampening cloak of accepted social norms.
You see, as the film of a hero whose subtextual purpose is to liberate the biases and constrictions of social standards, it's about living in the contained tyranny of those social standards.
Because the man who created the most celebrated woman of 2017 was in love with two women at the same time, living with them under the same roof. These women, who he credited with inspiration for Wonder Woman, were also in love with each other, caring for the children they shared. And in the American era tucked between the two world wars and the beginning of the white picket fences, the living situation just was not congruent with the so-called "American Dream."
But while the fallout of such a lifestyle is becoming a key catalyst in the film, the beauty of this movie is not just the fair treatment of an unconventional love story, or the unpacking of a man often damned by history as a "weirdo , "it's the belief that Marston, who believed that Wonder Woman would save the future by teaching young men to believe in peace and gender equality.


"Yes, he really thought," says Angela Robinson the film's director. "It was literal ... he knew men would never give up their power voluntarily, so he created Wonder Woman to psychologically train a generation of boys and men to love and respect a mighty woman .
"She was not created to be a superhero, he called it psychological propaganda, literally."
Given the inertia of change and a current climate that still has men in power, there's probably an argument to be made that Marston's efforts failed. And yet, maybe not. Case in Point, Patty Jenkins' "Wonder Woman" movie.
"You've never seen anything like it, literally, on the film, that much screen time dedicated to this super woman." It's a worldwide phenomenon, "Robinson says. "The ideas that Marston talked about ... she's going to get the front to stop the war, it does have the power to resonate That's what I like to do in my work, push forward to try to make the world a better place. "

So will Robinson's movie make the world a better place? Probably not. It's beautifully shot, poignantly romantic and just provocative enough with elements of bondage and polyamory to steal your interest throughout the 108 minutes.
But the messages contained in the film? Those could have some effect on the world. As more interest builds in Wonder Woman, more people are curious about the man who made her, and the woman who gave her form.
That's what happened to Robinson, a lifelong Wonder Woman fan who first read about Marston in a Wonder Woman coffee table, then devoured any information on Harvard psychology professor who pioneered DISC theory - a way of identifying predictable actions and personality traits in people.
DISC is an acronym for dominant, influence, steadiness, compliant. In short, it means that in a relationship there will be people or situations where dominant personalities prevail by "convincing" the other party to become compliant.
The scenes where Luke Evans, as Marston, explains DISC theory play out like foreshadows of what's to come. Smitten coeds are rapt in his words while he discusses why they are in a state - without saying as much. To his side, sitting on a windowsil, is his wife Elizabeth, a brilliantly portrayed by Rebecca Hall as a hyper-intelligent instructor whose mouth is the only thing bigger than her intellect. She's also a reminder of the times, how a woman of that age can never be equal to a man in the sphere of higher learning.
"A lot of the dialectic in the movie is fantasy and reality, in a lot of ways Elizabeth is our way through the story. video link click http://yobuilder.com/7JMU